Can theater become an educational and rehabilitation medium for underage inmates who have no chance of escaping disobedience?
In a teenage prison, the inmates stage their own lives and become protagonists of a film that attempts to overcome the limitations and obstacles of a “correctional” institution.

Mothers with their underage children or pregnant women, alone, persecuted in their countries for political and social reasons, find shelter in a house in Syngrou Avenue, Athens, where a group of specialists help them integrate in society and find the members of their families that are scattered in other countries. These women, who had no other choice than exile, find in that shelter the support they need in order to lawfully redefine their future in a strange continent.

“…You go out in the yard. On a bench, you find some prisoners talking about how they will break the law without getting caught. On other benches, prisoners talk about drugs and Kalashnikovs. And suddenly, you see a big Lithuanian guy with some other inmates of the same proportions playing chess…”
These are the words of a music teacher that is currently incarcerated in the Special Youth Detention Center in Avlona, Greece.
Is there ever a second chance in real life? A young man from Lithuania finds himself imprisoned in a youth detention center in a foreign country where he doesn’t even speak the language. He can either stay in his cell and give up everything or find a way to redefine his life. He may even try to learn Greek in the prison’s school, discover his hidden talents and study at the Technical University one day. Will he succeed?
For three years, he strives to fulfill these seemingly unattainable goals as the camera records his anguish to start his life from scratch.

Andreas Raptopoulos, an engineer from Greece, travels around the world and invents new applications that try to find a solution to social problems. In Singularity University, in NASA’s premises, organized by another scientist of the Greek diaspora, Peter Diamandis succeeds in making a utopian dream come true: Raptopoulos is the first one to build drones for peaceful purposes as a means to help Third World populations and cities that find themselves secluded because of weather conditions and poverty. A course that starts in a Technical School in Greece, and passes from London before going to San Francisco, Silicon Valley, Amazon.com, and finally the steep mountains of Mongolia, creating a new network for transportation and communication, which is no longer science fiction.

They found themselves homeless in a city that doesn’t know how to help them. The jobless “new poor” of our country have no hope. John Bird, an ex-homeless man and the homeless street paper he created in London, is the starting point, and, through his advice, the film follows Christos Alefantis and his team, as they lay the basis for their “Raft”, the Greek street paper “Shedia”. The camera documents the printing of the first issue, along with the worries whether this endeavor will succeed, so that excluded people are able to find a home, get a permanent job, study and reclaim their position in the society that has chased them away.

A football team represents Greece in a world cup and wind the Fair Play Award. The Greek Homeless Football Team competes with other homeless teams (like the Indonesia team whose players are HIV positive) in Poland. The film follows the homeless players in their first journey abroad, while they score and receive goals, and prove that football, sοcialization and tolerance can become important “weapons” for one to deal with the hardships of a life that seems lost and tries to find ways to deal with social exclusion.